The goal of this project was to redesign the product catalog for one of the most successful access control and security companies in the world.
Here I got to put all of my skills to test, from page layout and illustration, all the way to the photography of every product shown within the catalogue. I was in charge of every visual aspect of the project.
This piece of collateral is the main tool used by the sales team during meetings with potential clients and at security tradeshows across the world, therefore every element of the design has been carefully considered across all 40 pages of the catalogue.
Final catalogue had to be translated into 4 languages (German, French, Dutch, Swedish) and alternative versions were created for the South African, Middle Eastern and American markets. As such, the catalogue is in use across almost every continent.
I photographed every product show in this catalogue. This way I was able to ensure they were shown in the best light and worked seamlessly with the overall design of this piece of literature.
Final design was printed on the finest uncoated paper using lithographic printing method.
DA-10 is an up and coming band from Brighton and, as a keen record collector, I was honoured to have been commissioned to design their first album sleeve and logo.
This project was a collaboration with another Brighton photographer, Jack Hardwicke, who provided the original photo, done in his truly unique psychedelic style.
I used my illustration skills to elevate it and give it a 3-dimensional look and feel.
I was commissioned by an ambitious Brighton tech startup, Digicave, to design a poster and a set of “markers” for an upcoming augmented reality exhibition at the Science Museum in London. Presented by James May, this experimental exhibit was the first of its kind for the museum. In order for the artwork to be approved, the campaign had to adhere to strict guidelines set forth by the Science Museum brand.
Markers were designed to work with the augmented reality app, in order to bring the experience to life. Not only did they have to look good on the museum floor but also they had to work from a technical point of view.
What kind of a graphic designer would I be, if I didn’t take particular pride in my wedding invite? My beautiful wife being the harshest client I’ve ever had, I knew it had to be something special.
We didn’t want it to be just another postcard people stuck on their fridge and then promptly discarded right after the wedding day (if it was even fortunate enough to make it that far). Instead we wanted for it to be something that could serve a purpose, something people could keep in their home to make it better. In the end we decided to print our wedding invite on tea towels and send each of our guests a copy. We also encouraged them to use them.
Rich patterns juxtaposed with simple lines was the theme carried throughout the whole wedding invite collateral.
Our website contained all the wedding information as well as the RSVP form and was designed to work on all modern device screens. Whether our guests were planning ahead from the comfort of their home or were lost en route, we wanted them to have all the important information at their fingertips.
These are just some of the illustrations I have designed to be used in different places throughout the day. We really wanted a consistent theme to carry through everything.
Alignment yoga is a practice that relies on precision, experience and strength. When working on the branding for this client, I wanted the identity for their business to capture exactly that.
Subtle gradients and strict geometrical lines fill the design with a sense of movement, which I thought was essential in order to convey the energy required for this activity.
At any given time, I have a number of side projects running along my main gig. I use them as a way of staying on top of latest design trends and also as a way of trying out things I might not always get a chance to do working for a client.
Brighton Folk started out as a way for me to document on Tumblr all the unique things I see on the streets of Brighton. Couple of years later it became clear this project was much more than that. I eventually ended up moving it to a self-hosted WordPress platform for which I have personally built a custom theme. Complete with some quirky animated illustrations it has become what you see today.
Please visit:
http://www.brightonfolk.com
WordPress theme that I have built from scratch was designed to work on all modern device screens.
Seagulls are synonymous with Brighton and hold a special place in every Brightoner’s heart. I wanted to feature them on the wensite in order to give it a friendly and familiar feel that reflects the atmosphere that residents of this seaside town have worked so long and hard to cultivate.
This is an ongoing project and every day I keep thinking of new directions I can take it.
BangBangCrash was the first website I ever build for a client. It was just when I moved to Brighton, nearly 10 years ago, and I am still proud of it. It was the first project that incorporated my web design, photography and illustration.
I designed the adverts for Paxton’s recruitment drive which also feature my photography.
Paxton is one of the fastest growing and most ambitions companies in Britain. For a growing company, it has been important to attract only the brightest talent from around the world.
In 2018 it was included in the Sunday Times 100 Top Companies to Work For list. It was an important achievement and they asked for a campaign which would reflect that.
A selection of identities I have designed over the last few years.
